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The Blind Leading the Blind, Blind, or The Parable of the Blind (Dutch: De parabel der blinden) is a painting by the Netherlandish Renaissance artist Pieter Bruegel the Elder, completed in 1568. Executed in distemper on linen canvas, it measures 86 cm × 154 cm (34 in × 61 in).
Europeans of Bruegel's time gave little regard to beggars, and the painting provides hints that Bruegel shared this denigration: the figures are outside the town walls and are posed in such ways as to provoke contempt and amusement. The foxtail on some of the figures was a symbol at the time of ridicule in political caricature and real life ...
David Teniers the Younger, The Painter and His Family, c. 1645, now in the Gemäldegalerie, Berlin. The Brueghel family (/ ˈ b r ɔɪ ɡ əl / BROY-gəl, [1] [2] US also / ˈ b r uː ɡ əl / BROO-gəl, [3] [4] Dutch: [ˈbrøːɣəl] ⓘ), also spelled Bruegel or Breughel, is an extended family of Dutch and Flemish painters which played a major role in the development of the art in Brabant ...
Copy by Pieter Brueghel II sold in July 2014 by Sotheby's London for £3.4 million. Of the 127 documented copies in 2000, Ertz lists 45 as by Pieter Brueghel the Younger, 51 doubtful, and 31 rejected-but-notable, and all of these were created in the 17th century. [2] Pieter Brueghel the Younger's dated copies range between 1601 and 1626. [12]
Pieter Brueghel the Elder was a Flemish painter (born c. 1525–1530, died 1569), [5] famous for pictures of peasant life. This book opens with the title cycle of ten poems (the last poem is in three parts), each based on a Brueghel painting. [2]
In Romeo and Juliet, Shakespeare employs several dramatic techniques that have garnered praise from critics, most notably the abrupt shifts from comedy to tragedy (an example is the punning exchange between Benvolio and Mercutio just before Tybalt arrives).
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Bruegel depicts the woman as one of the few graceful figures in the scene. She is rendered as an idealised form, atypical of Brugel's usual earthy and homely female figures; [3] though the basic layout of the composition is Netherlandish, "the austere composition and monumental figures are perhaps the most Italianate in all Bruegel's paintings". [4]
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