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Many works of art are claimed to have been designed using the golden ratio. However, many of these claims are disputed, or refuted by measurement. [1] The golden ratio, an irrational number, is approximately 1.618; it is often denoted by the Greek letter φ .
The ratio of Seurat's painting/stretcher corresponded to a ratio of 1 to 1.502, ± 0.002 (as opposed to the golden ratio of 1 to 1.618). The compositional axes in the painting correspond to basic mathematical divisions (simple ratios that appear to approximate the golden section).
The golden ratio φ and its negative reciprocal −φ −1 are the two roots of the quadratic polynomial x 2 − x − 1. The golden ratio's negative −φ and reciprocal φ −1 are the two roots of the quadratic polynomial x 2 + x − 1. The golden ratio is also an algebraic number and even an algebraic integer.
The Fibonacci numbers, often presented in conjunction with the golden ratio, are a popular theme in culture. They have been mentioned in novels, films, television shows, and songs. The numbers have also been used in the creation of music, visual art, and architecture.
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Divina proportione (15th century Italian for Divine proportion), later also called De divina proportione (converting the Italian title into a Latin one) is a book on mathematics written by Luca Pacioli and illustrated by Leonardo da Vinci, completed by February 9th, 1498 [1] in Milan and first printed in 1509. [2]
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The golden angle is the angle subtended by the smaller (red) arc when two arcs that make up a circle are in the golden ratio. In geometry, the golden angle is the smaller of the two angles created by sectioning the circumference of a circle according to the golden ratio; that is, into two arcs such that the ratio of the length of the smaller arc to the length of the larger arc is the same as ...