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In literary studies, resistance literature is one subfield in which to study literary output that may be understood as a socio-political activity to resist dominant ideologies. [15] Resistance literature can be used to resist gender-based oppression, or to demonstrate difficulties in liberation struggles or writing in exile.
The resistance to theory is therefore, according to de Man, a resistance to reading: "Nothing can overcome the resistance to theory since theory 'is' itself this resistance." De Man concludes however by stating that "literary theory is not in danger of going under; it cannot help but flourish, and the more it is resisted, the more it flourishes ...
Francisco Sionil José (December 3, 1924 – January 6, 2022) was a Filipino writer who was one of the most widely read in the English language. [1] [2] A National Artist of the Philippines for Literature, which was bestowed upon him in 2001, José's novels and short stories depict the social underpinnings of class struggles and colonialism in Filipino society. [3]
Resistant reading is an element of some current critical and interpretive repertoire. It is worth considering whether diegetic border crossing always strengthens the potential for resistant reading (as might seem intuitively likely, given that readers are moving in and out of the story), or whether on some occasions it might trigger the reverse effect.
Paul de Man (/ d ə ˈ m ɑː n /; December 6, 1919 – December 21, 1983), born Paul Adolph Michel Deman, [1] was a Belgian-born literary critic and literary theorist.He was known particularly for his importation of German and French philosophical approaches into Anglo-American literary studies and critical theory.
The Rosales Saga, also known as the Rosales Novels, is a series of five historical and political novels written by National Artist of the Philippines F. Sionil José. Chronologically, it is composed of five interconnected novels, namely Po-on (written in 1984), Tree (written in 1978), My Brother, My Executioner (written in 1973), The Pretenders ...
Postcolonial literature is the literature by people from formerly colonized countries, originating from all continents except Antarctica. Postcolonial literature often addresses the problems and consequences of the decolonization of a country, especially questions relating to the political and cultural independence of formerly subjugated people, and themes such as racialism and colonialism.
Lilia Quindoza was born in 1949 in Manaoag, in the Philippines' Pangasinan province. [1] [2] She grew up in Baguio, where she attended secondary school.[1]After graduating with a bachelor's degree in English from the University of the Philippines Diliman in 1971, she obtained a master's in comparative literature in 1980 and a Ph.D. in Philippine studies in 1990 from the same institution.