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Clothing made of textiles or skins is subject to decay, and the erosion of physical integrity may be seen as a loss of cultural information. [42] Costume collections often focus on important pieces of clothing considered unique or otherwise significant, limiting the opportunities scholars have to study everyday clothing. [36]
Clothing and textiles reflect the materials and technologies available in different civilizations at different times. The variety and distribution of clothing and textiles within a society reveal social customs and culture. The wearing of clothing is exclusively a human characteristic and is a feature of most human societies.
Fashion plate, 1835. Journal des demoiselles. Dress history is the study of history, which uses clothing and textiles to understand the past. Through analyzing modes of dress, different garment types, textiles, and accessories of a certain time in history, a dress historian may research and identify the social, cultural, economic, technological, and political contexts that influence such ...
Fashion is a term used interchangeably to describe the creation of clothing, footwear, accessories, cosmetics, and jewellery of different cultural aesthetics and their mix and match into outfits that depict distinctive ways of dressing (styles and trends) as signifiers of social status, self-expression, and group belonging.
The transformative power of clothes, the impact of changes in colors and style. A video on social expression through dress. Fashion psychology, as a branch of applied psychology, applies psychological theories and principles to understand and explain the relationship between fashion and human behavior, including how fashion affects emotions, self-esteem, and identity.
Jackie Kennedy was an important style icon for American women during the 1960s, where her style became a symbol of wealth, power and prestige . [9] The fashion system is not static, and as society and social interests change, so do trends and styles in dress.
During the early 18th century the first fashion designers came to the fore as the leaders of fashion. In the 1720s, the queen's dressmaker Françoise Leclerc became sought-after by the women of the French aristocracy, [4] and in the mid century, Marie Madeleine Duchapt, Mademoiselle Alexandre and Le Sieur Beaulard all gained national recognition and expanded their customer base from the French ...
The right to clothing has been recognised domestically for millennia – at least partially – but has received very little recognition on the international scene. [3] It is not clear why there is a lack of recognition; one author has suggested that the lack of elaboration is due to the variations in cultural needs and wants. [2]