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Abasiophilia—the desire for people who limp and/or use leg braces, walking sticks, crutches, walkers or wheelchairs; Acrotomophilia—the desire for amputees; Andy Pipkin, a character from Little Britain, who pretends to be disabled; Apotemnophilia—sexual arousal based on the desire to be or appear as an amputee
Hate for Sale is the eleventh studio album by English-American rock band the Pretenders. It was released on July 17, 2020, by BMG Rights Management . It has received positive reception from critics.
Abasiophilia is a psychosexual attraction to people with impaired mobility, especially those who use orthopaedic appliances such as leg braces, orthopedic casts, or wheelchairs. [1] The term abasiophilia was first used by John Money of the Johns Hopkins University in a paper on paraphilias , in 1990.
Legbrace fetishism – the desire for partners who use leg braces; an aspect of abasiophilia; Medical fetishism – a sexualised interest in observing medical practice and receiving medical treatment; Munchhausen's syndrome – those affected by this psychological disorder feign illness and/or cause themselves self-harm
Learning to Crawl is the third studio album by British-American rock band the Pretenders.It was released on 13 January 1984 by Sire Records after a hiatus during which band members James Honeyman-Scott and Pete Farndon died of drug overdoses.
A variety of orthopedic boots are used for the treatment of injuries of the foot or ankle. Along with orthopedic casts, leg braces, splints and orthotics, they can immobilize and shift weight bearing to help treat injuries to the foot area.
This album was released as a Pretenders' album, though Hynde was the only original member to appear on it. [30] The new band also played a concert for the BBC at the Maida Vale studio. [31] In 2016, Hynde and the Pretenders opened for Stevie Nicks. [32] In July 2020, the Pretenders released their 11th studio album Hate for Sale. The album was ...
"Message of Love" is a song written by Chrissie Hynde and performed by the Pretenders. Released first as a single and then on the Pretenders' 1981 EP Extended Play, it was later re-released on the band's 1981 album Pretenders II. A band effort largely composed in the studio, the song was a radio hit and reached number 11 in the United Kingdom.
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