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The depictions of women in film noir come in a range of archetypes and stock characters, including the alluring femme fatale.A femme fatale (/ ˌ f æ m f ə ˈ t ɑː l / or / ˌ f ɛ m f ə ˈ t ɑː l /; French: [fam fatal], literally "lethal woman"), is a prevalent and indicating theme to the style of film noir.
Smash-Up, the Story of a Woman, also called A Woman Destroyed, [2] is a 1947 American drama film with elements of film noir that tells the story of a rising nightclub singer who marries another singer and becomes an alcoholic after sacrificing her career for him. The film starred Susan Hayward, Lee Bowman, Eddie Albert and Marsha Hunt.
Ladies in Retirement is a 1941 American film noir directed by Charles Vidor and starring Ida Lupino, Louis Hayward and Evelyn Keyes. It was produced and distributed by Columbia Pictures . Lupino and Hayward were married at the time.
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Fortune Is a Woman (U.S. title: She Played With Fire [1]) is a 1957 black and white British-American film noir crime film directed by Sidney Gilliat and starring Jack Hawkins and Arlene Dahl. [2] The screenplay was by Gilliat and Frank Launder , from an adaptation by Val Valentine of the 1952 novel Fortune is a Woman by Winston Graham . [ 3 ]
Dishonored Lady (also known as Sins of Madeleine) is a 1947 American film noir crime film directed by Robert Stevenson and starring Hedy Lamarr, Dennis O'Keefe and John Loder. It is based on the 1930 play Dishonored Lady by Edward Sheldon and Margaret Ayer Barnes. Lamarr and Loder were married when they made the film, but they divorced later in ...
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Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a style of Hollywood crime dramas that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist ...
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