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Old-school hip hop (also spelled old skool) (also known as disco-rap) is the earliest commercially recorded hip hop music and the original style of the genre. It typically refers to the music created around 1979 to 1983, [ 1 ] as well as any hip hop that does not adhere to contemporary styles.
The new school of hip-hop was the second wave of hip-hop music, originating in 1983–84 with the early records of Run-D.M.C. and LL Cool J. As with the hip-hop preceding it (which subsequently became known as old-school hip hop), the new school came predominantly from New York City.
Golden age hip hop (the mid-1980s to early '90s) [74] was the time period where hip-hop lyricism went through its most drastic transformation – writer William Jelani Cobb says "in these golden years, a critical mass of mic prodigies were literally creating themselves and their art form at the same time" [75] and Allmusic writes, "rhymers like ...
A key part of recorded hip-hop’s early years of relying heavily on session musicians for backing tracks, bassist Larry Smith played on early ‘80s classics including “The Breaks.”
Hiplife - hip hop and highlife from Ghana; Igbo rap - from Southeast Nigeria; Kwaito - South African house/hip hop fusion; Motswako - from Botswana and South Africa; Zenji flava - from Tanzania; European. Afroswing - from London; Gyp-hop - from Romania; Low bap - from Greece; Romany hip hop - by Romani people of Europe; Songo-salsa - from Spain ...
The sharp surge of N-word usage on X likely didn't make the platform feel any safer to Black users, either. What remains true, though: Black Twitter has forged an unbreakable community.
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Carpenter combined the hip hop slang term "def", which was used by artists such as LL Cool J and Public Enemy, with the suffix "-tones", which was a popular suffix among 1950s bands (e.g., Dick Dale and the Del-Tones, The Quin-Tones, The Monotones, The Cleftones, and The Harptones). Carpenter said the name is intentionally vague to reflect the ...