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Mein Herr Marquis", sometimes called "Adele's Laughing Song", is an aria for soprano with choral accompaniment from act 2 of the operetta Die Fledermaus by Johann Strauss II. It appears in many anthologies of music for soprano singers, and is frequently performed in recitals.
Written amidst a turbulent and emotionally unstable period in Yeah Yeah Yeahs' history, the angst that colored that time translates into a sexually charged body of songs. On their choice of producer, Karen O stated, "Nick Launay was the natural choice having produced PiL Flowers of Romance, collectively a favorite between us. I put that record ...
Koenig and Diplo recorded a demo version of "Hold Up" in 2014 including the interpolated line, and when Beyoncé released the song on Lemonade, the three members of Yeah Yeah Yeahs shared in the songwriting credits. [31] Despite its lyrics [weasel words], the song, via a sped-up version, gained popularity on TikTok in late September 2024. A ...
Karen O also contributed vocals to the song and served as choreographer of the video, in which she appears with Yeah Yeah Yeahs bandmates Nick Zinner and Brian Chase, as well as Mike D from the Beastie Boys, Gibby Haynes from the Butthole Surfers, Russell Simins from the Blues Explosion, and Sam James from The Mooney Suzuki. [30]
Instead he wants to dance to waltzes by father and son Strauss. The lyrics reference three of Strauss's best known compositions, namely An der schönen blauen Donau ("Let the Danube flow along"), Die Fledermaus ("and the Fledermaus") and Wein, Weib und Gesang ("Keep the wine and give me song"). [1]
The title song was composed specifically for the advertisement by Jonze's brother, Sam "Squeak E. Clean" Spiegel, and its lyrics were sung by Jonze's then-girlfriend, Karen O of the Grammy-nominated rock band Yeah Yeah Yeahs.
STRAUSS is a German-based apparel company. MLB announced a multi-year partnership with the brand in September that will run through 2027, according to CBS reporting. They're impossible to miss ...
"Zero" received acclaim from music critics. Paula Carino of AllMusic described the song as "an exhilarating and wide-open expanse of pure electro-pop". [1] Mary Bellamy of Drowned in Sound viewed the track as "the call to arms of a band who desperately want to teleport the refugees of fashion-fizzled pop, the hippest of hipsters and the weirdest outsiders to the dancefloor of their sweaty ...