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Verbal irony is "a statement in which the meaning that a speaker employs is sharply different from the meaning that is ostensibly expressed". [1] Moreover, it is produced intentionally by the speaker, rather than being a literary construct, for instance, or the result of forces outside of their control. [ 19 ]
Dramatic Irony is when the reader knows something important about the story that one or more characters in the story do not know. For example, in William Shakespeare's Romeo and Juliet, the drama of Act V comes from the fact that the audience knows Juliet is alive, but Romeo thinks she's dead. If the audience had thought, like Romeo, that she ...
dramatic character dramatic irony dramatic lyric dramatic monologue dramatic proverb dramatis personæ Collectively, the characters represented in a play or other dramatic work. This phrase is the conventional heading for a list of characters printed in a theatrical programme or at the beginning of the text. [35] dramaturgy dream allegory dream ...
Euripides is also known for his use of irony. Many Greek tragedians make use of dramatic irony to bring out the emotion and realism of their characters or plays, but Euripides uses irony to foreshadow events and occasionally amuse his audience.
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. [1] The word is loaned from French and derives from the Italian burlesco, which, in turn, is derived from the Italian burla – a joke, ridicule or mockery. [2] [3]
The modern term irony is derived from the eirōn of the classical Greek theatre. Irony entails opposition (not mere difference) between the actual meaning and the apparent meaning of something. Irony entails opposition (not mere difference) between the actual meaning and the apparent meaning of something.
Metatheatre: A New View of Dramatic Form. Hill and Wang. Abel, Lionel. 2003 [posthumous]. Tragedy and Metatheatre: Essays on Dramatic Form. New York: Holmes y Meier Publishers. Angus, Bill. 2016. Metadrama and the Informer in Shakespeare and Jonson. Edinburgh University Press. Angus, Bill. 2018. Intelligence and Metadrama in the Early Modern ...
It takes two to speak the language of drama: writer and receiver. This is why dramatic irony—which consists in giving the audience an item of information that at least one of the characters is unaware of—is a fundamental mechanism, omnipresent in all genres (tragedy, comedy, melodrama, suspense, thriller, etc.) and all types of narratives.