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These aspects include thematic content, style, and compositional structure which form speech genres. Speech genres are diverse because of the various possibilities of human activity. In "The Problem of Speech Genres" (1986), Mikhail Bakhtin draws attention to the very significant difference between primary (simple) and secondary (complex ...
Passacaglia – Musical form similar to a chaconne, consisting of variations over a ground bass. Passion – Musical setting of the Passion of Christ. Pastorale – Musical form depicting pastoral scenes, often characterized by a gentle, lyrical melody. Prelude – Short, improvisatory-style piece, often serving as an introduction to a longer ...
The musicologist Winton Dean has suggested that "music is probably the most difficult of the arts to criticise." [2] Unlike the plastic or literary arts, the 'language' of music does not specifically relate to human sensory experience – Dean's words, "the word 'love' is common coin in life and literature: the note C has nothing to do with breakfast or railway journeys or marital harmony."
Anthony Carl Tommasini (born April 14, 1948) is an American music critic and author who specializes in classical music. [1] Described as "a discerning critic, whose taste, knowledge and judgment have made him a must-read", [2] Tommasini was the chief classical music critic for The New York Times from 2000 to 2021.
Eduard Hanslick (11 September 1825 – 6 August 1904) was an Austrian music critic, aesthetician and historian. [1] Among the leading critics of his time, he was the chief music critic of the Neue Freie Presse from 1864 until the end of his life.
John Coolidge Adams was born in Worcester, Massachusetts, on February 15, 1947. [5] As an adolescent, he lived in Woodstock, Vermont, for five years before moving to East Concord, New Hampshire, [6] and his family spent summers on the shores of Lake Winnipesaukee, where his grandfather ran a dance hall.
Rhetorical criticism analyzes the symbolic artifacts of discourse—the words, phrases, images, gestures, performances, texts, films, etc. that people use to communicate. . Rhetorical analysis shows how the artifacts work, how well they work, and how the artifacts, as discourse, inform and instruct, entertain and arouse, and convince and persuade the audience; as such, discourse includes the ...
If the template has a separate documentation page (usually called "Template:template name/doc"), add [[Category:Classical music templates]] to the <includeonly> section at the bottom of that page.