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Charles Lamb (10 February 1775 – 27 December 1834) was an English essayist, poet, and antiquarian, best known for his Essays of Elia and for the children's book Tales from Shakespeare, co-authored with his sister, Mary Lamb (1764–1847).
Poems on Various Subjects (1796) was the first collection by Samuel Taylor Coleridge, including also a few sonnets by Charles Lamb. A second edition in 1797 added many more poems by Lamb and by Charles Lloyd , and a third edition appeared in 1803 with Coleridge's works only.
Lamb's main correspondents were the poets William Wordsworth, Samuel Taylor Coleridge, Robert Southey, Thomas Hood, Bernard Barton, Mary Matilda Betham and Bryan Procter; the philosopher and novelist William Godwin; the music critic William Ayrton; the publishers Edward Moxon, William Hone, Charles Ollier, Charles Cowden Clarke and J. A. Hessey; the statistician John Rickman; the actress Fanny ...
Perfect is the enemy of good is an aphorism that means insistence on perfection often prevents implementation of good improvements. Achieving absolute perfection may be impossible; one should not let the struggle for perfection stand in the way of appreciating or executing on something that is imperfect but still of value.
Letters of Charles Lamb; O. ... Poems on Various Subjects; T. Tales from Shakespeare This page was last edited on 3 April 2013, at 15:29 (UTC). ...
In 1826, encouraged by his friend Charles Lamb, he published a volume of verse, entitled The Prospect, and other Poems, which was received favourably. In 1830 Moxon started his own publishing firm in New Bond Street, aided by a £500 loan from Samuel Rogers. The first volume he produced was Charles Lamb's Album Verses.
Charles Lamb in 1798, the year he wrote and published "The Old Familiar Faces". Drawn and engraved by Robert Hancock. "The Old Familiar Faces" (1798) is a lyric poem by the English man of letters Charles Lamb. Written in the aftermath of his mother's death and of rifts with old friends, it is a lament for the relationships he had lost.
This preface is indeed a very conceited performance and the poem though in some passages of first-rate excellence is on the whole of very inferior execution." [13] Charles Lamb, in a 10 June 1796 letter to Coleridge, stated, "With Joan of Arc I have been delighted, amazed. I had not presumed to expect of any thing of such excellence from Southey.