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Sicut Cervus remains one of Palestrina's most popular and frequently performed works and one of the rare motets that retained its popularity into the modern era. [7] The motet has become the "unofficial anthem" of St. John's College (Annapolis/Santa Fe) , where it is sung every Wednesday by students and faculty and is the part of the first-year ...
Sicut lilium inter spinas (1) Sicut lilium inter spinas* (4) Si ignoras te, o pulchra inter mulieres* (4) Stella quam viderant magi (1) Surgam et circuibo civitatem* (4) Surge amica mea, speciosa mea* (4) Surge Petre (4) Surge, propera amica mea* (4) Surge sancte Dei. Ambula sancte Dei (4) Suscipe verbum virgo Maria. Paries quidem filium (1)
Psalm 42 is the 42nd psalm of the Book of Psalms, often known in English by its incipit, "As the hart panteth after the water brooks" (in the King James Version).The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament.
Magnificat in Gregorian chant. In Gregorian chant the Magnificat is sung according to the eight traditional psalm tones: Tonus I (first tone): Magnificat primi toni; Tonus II (second tone): Magnificat secundi toni; Tonus III (third tone): Magnificat tertii toni; Tonus IV (fourth tone): Magnificat quarti toni; Tonus V (fifth tone): Magnificat ...
Ad fontes is a Latin expression which means "[back] to the sources" (lit. "to the sources"). [1] The phrase epitomizes the renewed study of Greek and Latin classics in Renaissance humanism, [2] subsequently extended to Biblical texts. The idea in both cases was that sound knowledge depends on the earliest and most fundamental sources.
Missa Papae Marcelli, or Pope Marcellus Mass, is a mass sine nomine by Giovanni Pierluigi da Palestrina.It is his best-known mass, [1] [2] and is regarded as an archetypal example of the complex polyphony championed by Palestrina.
Cantiones sacrae (literally: Sacred chants), Op. 4, is a collection of forty pieces of vocal sacred music on Latin texts, composed by Heinrich Schütz and first published in 1625. The pieces have individual numbers 53 to 93 in the Schütz-Werke-Verzeichnis (SWV), the catalogue of his works.
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