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Manuscript paper (sometimes staff paper in U.S. English, or just music paper) is paper preprinted with staves ready for musical notation. [1] A manuscript is made up of lines and spaces, and these lines and space have their names depending on the staves (bass or treble). Manuscript paper is also available for drum notation and guitar tabulature ...
The Hanford Site occupies 586 square miles (1,518 km 2) – roughly equivalent to half the total area of Rhode Island – within Benton County, Washington. [1] [2] It is a desert environment receiving less than ten inches (250 mm) of annual precipitation, covered mostly by shrub-steppe vegetation.
In music, a caesura denotes a brief, silent pause, during which metrical time is not counted. Similar to a silent fermata, caesurae are located between notes or measures (before or over bar lines), rather than on notes or rests (as with a fermata). A fermata may be placed over a caesura to indicate a longer pause.
The largest area of land planned for industrial use at Hanford is in the southeast corner of the site and the proposed Hecate project is proposed for more than half of the remaining land there ...
In April 1984, Chris May left the magazine to head up the UK office of Celluloid Records. Following his departure, the title Black Music & Jazz Review (though not the editorial perspective) was absorbed by sister magazine Blues & Soul and ceased to exist other than as a small-print add-on to the BS masthead. [3] [4]
"In the older music the sign for the fermata is used, as frequently by Bach, merely as indicating the end of the piece, after a Da Capo, when modern composers usually write the word 'fine.' It does not then imply any pause in the music between the first and second part of the number."
This is an incomplete list of the works of the Austrian, later American, composer Ernst Krenek (1900–1991). His complete output includes 242 works with Opus numbers, created between 1917 and 1989.
Found objects are sometimes used in music, often to add unusual percussive elements to a work. Their use in such contexts is as old as music itself, as the original invention of musical instruments almost certainly developed from the sounds of natural objects rather than from any specifically designed instruments. [2]