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The final bars of the Hallelujah chorus, from Handel's manuscript. Handel's music for Messiah is distinguished from most of his other oratorios by an orchestral restraint—a quality which the musicologist Percy M. Young observes was not adopted by Mozart and other later arrangers of the music. [111]
G. F. 헨델 - 할렐루야 (오라토리오 '메시아' 중에서) Hallelujah chorus, from Händel's Messiah / 국립합창단, 지휘 윤의중: Author: Mormon Tabernacle Choir: Software used: Xiph.Org libVorbis I 20120203 (Omnipresent) Lavf58.29.100; Date and time of digitizing: 20:00, 2 December 2019
Part II closes with the Hallelujah chorus which became famous as a stand-alone piece, set in the key of D major with trumpets and timpani. The choir introduces Hallelujah , repeated in homophony , in a characteristic simple motif for the word, playing with the interval of a second , which re-appears throughout the piece.
For Messiah, Handel used the same musical technique as for those works, namely a structure based on chorus and solo singing. The orchestra scoring is simple. Although Handel had good string players at his disposal for the Dublin premiere, [6] he may have been uncertain about the woodwind players who might be available.
In Handel’s great chorus, the word is joyous, victorious, accompanied by trumpets and drums. ... Thousands of works of classical liturgical music use hallelujah, in part because there was a ...
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...
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