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Songs of the Polka King, Vol. 1: Performed with Frankie Yankovic "Polkamon" 2000 Pokémon: The Movie 2000 soundtrack [6] "I Need a Nap" 2005 Dog Train by Sandra Boynton: Duet with Kate Winslet [10] "True Player for Real" 2009 This Gigantic Robot Kills: collaboration with MC Lars [11] "Circus Parade" 2010 Yo Gabba Gabba! Music Is Awesome 3
"Hotline Bling" is a pop [5] [6] and R&B [7] song written by Drake and Nineteen85, the latter of whom also produced the song.The song was composed in D minor with a tempo of 135 beats per minute in common time with a chord progression of Bbmaj7 – Am7. [8]
"Cars with the Boom" was ranked number 95 on VH1's "100 Greatest Songs of Hip Hop" in 2008 [7] and number 100 on Rolling Stone's "Top 100 Hip Hop Songs of All Time" in 2017. [8] It also placed at number 10 in Complex 's "The 50 Best Miami Rap Songs" in 2011 [ 2 ] and was included in the Miami New Times list of the "10 Greatest Miami Bass Songs ...
"Cell Therapy" is the debut single by the Goodie Mob, released as the lead single from their debut album, Soul Food. Fellow Dungeon Family members Organized Noize produced the song. The song became a top 40 hit, peaking at number 39 on the Billboard Hot 100 while also topping the Billboard Hot Rap Singles at number one.
"24's" is a song by American rapper T.I., released April 29, 2003, as the lead single from his second studio album Trap Muzik (2003). It is his first song to enter the US Billboard Hot 100, peaking at number 78 on the chart in 2003. [1] It was also featured on the street racing game Need for Speed: Underground.
"2 Phones" is a song by American rapper Kevin Gates. It was released on November 5, 2015 as the third single from his debut studio album Islah . It peaked at number 17 on the Billboard Hot 100 , making it Gates' first top 20 song and his highest-charting single to date.
"Lighters" is mainly an alternative hip hop track. [11] It has also been described as a blend of hip-hop and pop, further incorporating parts of a synth ballad. [11] [12] The record differs from the hardcore hip hop style used in other songs by Bad Meets Evil in the EP, as it takes influences from synthpop ballad and soul music, mainly on the track's chorus.
The song peaked at number two on the US Billboard Hot 100, became a number-one hit on the Billboard Hot Rap Songs chart for three weeks, and peaked at numbers three and six on the Billboard Hot R&B/Hip-Hop Songs and Mainstream Top 40 charts, respectively. It also reached the top 40 in Australia, Ireland, New Zealand, and the United Kingdom.