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The Namdhari hockey team's members actively participate in the national hockey championships for Sub Junior, Junior, and Senior. Namdhari XI is a well-known name in the Indian hockey community. Namdhari XI's name became synonymous with high-quality hockey teams in India as a result of the notable accomplishments of the first team from 1980 to 2000.
It used the `art-meets-craft' approach where artists made handicrafts for a living as they pursued their art. By the 1970s, the village became self-sufficient and grew into one of the most important meeting places for international artists in India. Today, it is one of the few artist-driven movements in India.
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The Namdhari movement was religious, social and political since the beginning. [7] The religious and social work was carried out in the open, while political agenda was carried on covertly. Ram Singh established a secret, private postal service composed of trusted couriers as they did not trust the British-established postal system out of fear ...
Tamil folk arts include music i.e. Naattupurapaattu, dance styles, songs, games, crafts, herbal medicine, food, sculpture, costumes, stories, proverbs, and mythology. Tamil folk art is characterized by its local, participatory, and open source character. Tamil folk culture often expresses village sensibilities, where most Tamils historically lived.
Tamil Nadu is also home to the Tamil film industry nicknamed as Kollywood and is one of the largest industries of film production in India. [ 189 ] [ 190 ] The term Kollywood is a blend of Kodambakkam and Hollywood . [ 191 ]
The Rajus who had migrated to Tamil Nadu from Andhra under the patronage of the Nayaka kings, had popularised painting techniques related ceiling and wall paintings in temples, decoration of processional vahanas, modelling of stucco sculptures on temple gopurams and vimanams. The Rajus along with the Naidus were also known for their paintings ...
There are no inscriptions from the period that makes any mention of either. The third evidence, states Champalakshmi, suggests the reverse. Jains continued to thrive in Tamil Nadu through about the 14th-century, get gifts and land grants from the royals and wealthy patrons and create new bas-reliefs, Jinalaya (temples) and Jaina art in rock.