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Photo identification or photo ID is an identity document that includes a photograph of the holder, usually only their face. The most commonly accepted forms of photo ID are those issued by government authorities, such as driver's licenses , identity cards and passports , but special-purpose photo IDs may be also produced, such as internal ...
The Dead Mother (Spanish: La madre muerta) is a 1993 Spanish drama film directed by Juanma Bajo Ulloa which stars Karra Elejalde and Ana Álvarez alongside Lio and Silvia Marsó. Together with Bajo Ulloa's debut feature Butterfly Wings (1991), it contributed to the creation of an aura of cult auteur around the director. [1]
Body identification is a subfield of forensic science that uses a variety of scientific and non-scientific methods to identify a body. Forensic purposes are served by rigorous scientific forensic identification techniques, but these are generally preceded by formal identification. [ 1 ]
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Me, Myself and My Dead Wife (Spanish: Yo, mi mujer y mi mujer muerta) is a 2019 Spanish-Argentine comedy-drama film directed by Santi Amodeo from a screenplay he wrote in collaboration with Rafael Cobos. It stars Oscar Martínez alongside Ingrid García-Jonsson and Carlos Areces.
La Mujer Muerta (English translation: “The Dead Woman”) is a subrange of the Sierra de Guadarrama, Sistema Central, located in Segovia Province, Spain. The silhouette of the mountain range takes the shape of a reclining woman with when seen from certain angles, hence its name which means "dead woman" in the Spanish language .
Microsoft originally used PhotoDNA on its own services including Bing and OneDrive. [31] As of 2022, PhotoDNA was widely used by online service providers for their content moderation efforts [10] [32] [33] including Google's Gmail, Twitter, [34] Facebook, [35] Adobe Systems, [36] Reddit, [37] and Discord.
La mamma morta" (The dead mother) is a soprano aria from act 3 of the 1896 opera Andrea Chénier by Umberto Giordano. [1] It is sung by the character Maddalena di Coigny to Gérard about how her mother died protecting her during the turmoils of the French Revolution. [2] It was recorded in 1954 by Maria Callas.