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Mere Sanam (English: My Lover) is a 1965 Hindi film starring Biswajeet, Asha Parekh, Mumtaz, Pran and Rajendra Nath. The film was a hit at the box office, especially because of the musical score by Majrooh Sultanpuri , O. P. Nayyar and the Asha Bhosle - Mohammed Rafi collaboration.
In the Mixolydian mode, the tonic, subdominant, and subtonic triads are all major, the mediant is diminished, and the remaining triads are minor. A classic Mixolydian chord progression is I-♭ VII-IV-V. [8] The Mixolydian mode is common in non-classical harmony, such as folk, jazz, funk, blues, and rock music.
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
In Baroque music, G major was regarded as the "key of benediction". [1] Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of 6 8 chain rhythms", according to Alfred Einstein, [2] although Bach also used the key for some 4
The song topped the chart for nine consecutive weeks and was the year's top-selling song by a female artist. [83] [84] "Royals" was certified fourteen-times Platinum in 2023 for selling over 14 million copies in the US. [85] Since its release in the US, "Royals" has broken multiple records, many of them a result of Lorde's young age.
Mere Sanam: O. P. Nayyar: Mohammed Rafi: Hindi: Keeravani / Kirwani: Ye Raten Ye Mausam Nadi Ka Kinara Dilli Ka Thug: Ravi (composer) Mohammed Rafi: Hindi: Keeravani / Kirwani: Neend Na Mujhko Aye Post Box No. 999(1958 film) Kalyanji–Anandji: Hemant Kumar & Lata Mangeshkar: Hindi: Keeravani / Kirwani: Tumhi Mere Mit Ho Pyase Panchhi(1961 film ...
The Aeolian dominant scale (Aeolian ♯ 3 scale), Mixolydian ♭ 6 scale, descending melodic major scale, or Hindu scale [1] [2] is the fifth mode of the ascending melodic minor scale. It is named Aeolian dominant because its sound derives from having a dominant seventh chord on the tonic in the context of what is otherwise the Aeolian mode .
Sadhana Sargam is an Indian singer, whose voice has been extensively recorded for thousands of tracks in Indian cinema. In addition to being a renowned playback singer, she is also a trained Hindustani classical singer who has recorded hundreds of bhajans, ghazals, and other spiritual tracks.