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The chapter on wallpaper was written by Walter Crane. He describes how the wallpapers of Morris were made using pieces of paper thirty-feet long and twenty-one inches wide. (French wallpaper was eighteen inches wide). The design therefore could not exceed twenty-one inches square, unless a double block was used.
Charles Francis Annesley Voysey FRIBA RDI [2] (28 May 1857 – 12 February 1941) was an English architect and furniture and textile designer.Voysey's early work was as a designer of wallpapers, fabrics and furnishings in a Arts and Crafts style and he made important contribution to the Modern Style (British Art Nouveau style), and was recognized by the seminal The Studio magazine. [3]
His first design was jasmine trail or jasmine trellis (1868–70), based on a similar wallpaper design he had made in 1862. [4] In the 1870s, he expanded his activity in woven furnishing textiles. In 1877, he brought a skilled French silk weaver, Jacques Bazin, from Lyon to London, rented a studio at Great Esmond Yard, and established Bazin and ...
William Morris' design for Trellis wallpaper, 1862. The Arts and Crafts movement was an international trend in the decorative and fine arts that developed earliest and most fully in the British Isles [1] and subsequently spread across the British Empire and to the rest of Europe and America.
Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets. The smallest wallpaper rectangle that can be tiled to form the whole pattern is known as the pattern repeat.
The wallpaper depicts a Chinese garden with birds with distinctive plumages and butterflies as well as fruit trees and shrubs. The decorative scheme of the wallpaper is divided between two borders; the upper has tall green jars and hanging baskets with magnolias and peonies, the lower border features wading birds and tall lotus plants. [7]
Variation of the founding myth as shown in the post-Conquest Codex Tovar, where the eagle is devouring a bird. The coat of arms recalls the founding of Mexico City, then Tenochtitlan. The legend of Tenochtitlan, as shown in the original Aztec codices, paintings, and post-Cortesian codices, does not include a snake.
Coromandel lacquer, probably originally from a screen, worked up into a cabinet for medals in France in the 1720s. Coromandel lacquer is a type of Chinese lacquerware, latterly mainly made for export, so called only in the West because it was shipped to European markets via the Coromandel coast of south-east India, where the Dutch East Indies Company (VOC) and its rivals from a number of ...
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