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It is a singular motif in ancient Greek art, and one of very few vase painting depicting recognisable historical figures. Along with a further painting by the artist which depicts the nymph Kyrene wrestling a lion, it led to the original suggestion that the artist was active in North Africa , but later excavations in Laconia proved that notion ...
Exekias (Ancient Greek: Ἐξηκίας, Exēkías) was an ancient Greek vase painter and potter who was active in Athens between roughly 545 BC and 530 BC. [1] Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision.
The Codrus Painter was a Greek vase-painter of the Attic red-figure style, who flourished between 440 and 420 BC. [1] His actual name is unknown and his conventional name is derived from his name-vase, now in Bologna, which depicts the mythical Athenian king, Codrus. [2]
Euthymides was an ancient Athenian potter and painter of vases, primarily active between 515 and 500 BC. He was a member of the Greek art movement later to be known as the Pioneer Group for their exploration of the new decorative style known as red-figure pottery. [1]
For example, there is a vase by him that depicts a sculptor at work, watched by the goddess Athena, shown at Olive and Oil Museum in Torgiano. [1] His most famous work is his name vase, kylix in the Antikensammlung at Berlin, the so-called Berlin Foundry Cup. Its exterior depicts a bronze workshop; it is among the very few sources on ancient ...
A Handbook of Greek Vase Painting. Sparks, NV: Falcon Hill Press, 1995. Mitchell, Alexandre G. Greek Vase-Painting and the Origins of Visual Humour. New York: Cambridge University Press, 2009. Noble, Joseph Veach. The Techniques of Painted Attic Pottery. New York: Watson-Guptill, 1965. Oakley, John Howard. The Greek Vase: Art of the Storyteller ...
The Chicago Painter was an ancient Greek vase painter, active in Athens, Greece, in the middle of the 5th century BCE. His real name is unknown, but like many other ancient Greek vase painters, his style was recognized in several works by the British classical archaeologist and international authority of Attic Greek vases, Sir John Beazley (1885–1970).
The writings of Johann Joachim Winckelmann, especially his books Thoughts on the Imitation of Greek Works in Painting and Sculpture (1750) and Geschichte der Kunst des Alterthums ("History of Ancient Art", 1764) were the first to distinguish sharply between ancient Greek, Etruscan, and Roman art, and define periods within Greek art, tracing a ...
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