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In their Japanese Cinema Encyclopedia: The Sex Films, the Weissers credit the success of the film both to director Nishimura and lead actress Kazuko Shirakawa. Nishimura, they write, "pays particularly close attention to his characters, often allowing their lusty personalities to carry the tale without clichéd action subplots.
Prostitution, as defined under modern Japanese law, is the illegal practice of sexual intercourse with an 'unspecified' (unacquainted) person in exchange for monetary compensation, [1] [2] [3] which was criminalised in 1956 by the introduction of article 3 of the Anti-Prostitution Law (売春防止法, Baishun bōshi hō).
NTR: Netsuzou Trap (Japanese: 捏造トラップ-NTR-, Hepburn: Netsuzō Torappu -NTR-, lit."Fabricated Trap -NTR-") is a yuri manga series by Kodama Naoko.The story revolves around two high school girls/childhood friends, named Yuma and Hotaru, who each have a boyfriend but they secretly cheat with each other.
The film was shot at the Inba Marsh in Chiba Prefecture, Japan. Onibaba was inspired by the Shin Buddhist parable of yome-odoshi-no men (嫁おどしの面, bride-scaring mask) or niku-zuki-no-men (肉付きの面, mask with flesh attached), in which a mother, disgusted by her daughter's affair with a priest, used a mask to pose as a demon and frighten the girl into believing that she was cursed.
Japanese erotic films include: 1) live action pink films made by independent studios (e.g. Wakamatsu, OP Eiga) for release to adult theatres, . 2) live action films distributed by major studios for wide release.
A Hole of My Own Making (自分の穴の中で, Jibun no ana no nakade) is a 1955 Japanese drama film directed by Tomu Uchida. [3] It is based on a novel by Tatsuzō Ishikawa . [ 1 ] [ 2 ]
In Good Luck, Miss Wyckoff, high-school Latin teacher Evelyn Wyckoff loses her job because she has an affair with the school's black janitor. The novel's themes include spinsterhood, racism, sexual tension and public humiliation during the late 1950s. [ 3 ]
The Hole (Japanese: 穴, Hepburn: Ana) is a novel by Hiroko Oyamada. Originally published in 2014, it is Oyamada's second novel to be translated into English, after The Factory. [1] Translated by David Boyd, an Assistant Professor of Japanese at the University of North Carolina at Charlotte, [2] the novel was published in 2020 by New Directions ...