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In the Chokwe people of Central Africa, the chikunga is a sacred ceremonial mask. Of the many ceremonial masks, the chikunga is considered to be the most powerful, and it is only worn by the tribal chief. The chikunga mask is made by stretching barkcloth over an array of wicker bits. It then is painted black with red and white designs.
The museum once housed over one thousand tombstone figures or images representing human beings. It is reputed to have the largest collection of soapstone images in the world. [15] Its works of art have also been said to bear resemblances to those of the Nok culture. In modern times, the Esie museum has been the center of religious activities ...
Chiwara masks are categorized in three ways: horizontal, vertical, or abstract. In addition, Chiwara can be either male or female. Female Chiwara masks are denoted by the presence of a baby antelope and straight horns. Male Chiwara masks have bent horns and a phallus. The sex of a Chiwara mask is much clearer on horizontal and vertical masks ...
As African masks are largely appropriated by Europeans, they are widely commercialized and sold in most tourist-oriented markets and shops in Africa (as well as "ethnic" shops in the Western world). As a consequence, the traditional art of mask-making has gradually ceased to be a privileged, status-related practice, and mass production of masks ...
Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
African art is produced using a wide range of materials and takes many distinct shapes. Because wood is a prevalent material, wood sculptures make up the majority of African art. Other materials used in creating African art include clay soil. Jewelry is a popular art form used to indicate rank, affiliation with a group, or purely aesthetics. [16]
This page was last edited on 19 December 2011, at 15:09 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The Bobo use masks in three major contexts: masks appear at harvest time in annual rites called birewa dâga. Masks participate in the male initiation, named yele dâga, which is their major function. Finally, they participate in the burial (syebi) and the funeral rites (syekwe) of people who have been killed by Dwo, or of the elder priests of Dwo.
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