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If two or more artists have the same claimed sales, they are then ranked by certified units. The claimed sales figure and the total of certified units (for each country) within the provided sources include sales of albums, singles, compilation-albums, music videos as well as downloads of singles and full-length albums.
Michael Jackson had the highest number of top hits at the Billboard Hot 100 chart during the 1980s (9 songs). In addition, Jackson remained the longest at the top of the Billboard Hot 100 chart during the 1980s (27 weeks). Madonna ranked as the most successful female artist of the 1980s, with 7 songs and 15 weeks atop the chart.
Whitney Houston's cover of "I Will Always Love You" spent 14 weeks at the top of the Billboard Hot 100, which at the time was a record. [4] [5] Lisa Loeb became the first artist to score a #1 hit before signing to any record label, with "Stay (I Missed You)". Michael Jackson became the first artist to debut at #1 with "You Are Not Alone".
Billboard Decade-End is a series of music charts reflecting the most popular artists, albums, and songs in the United States throughout a decade. [1] Billboard first published their first decade-end rankings in December 1970, listing the artists with the most number ones of the 1960s.
The song, recognized as "the best-selling single of all time", was released before the pop/rock singles-chart era and "was listed as the world's best-selling single in the first-ever Guinness Book of Records (published in 1955) and—remarkably—still retains the title more than 50 years later".
Stacker compiled a list of 10 popular '90s artists on nostalgic tours in 2024, including full-blown reunions and album anniversaries.
In 2019, American music magazine Billboard began publishing a list of the greatest pop star of every year since 1981, with essay tributes for each artist. [1] The first year of 1981 was chosen as "the year that forever changed modern stardom", with the premiere of MTV which established music videos as an essential element for popular music iconicity. [1]
Formed in 1999, the Portland, Or.,-based duo Nice Nice emulated the spastic rhythms and bugged-out sonics of Warp Records artists such as Squarepusher and Autechre in the context of a live band.
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