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This is a list of folk song collections including pioneer and notable work in collecting folk songs. Many such collections were made in the 19th century. The earlier ones are often considered to be parts of the National Romanticist interests in folklore. The monumental efforts of single enthusiasts laid the foundation for the modern academic ...
Songs of the American Civil War (3 C, ... (1 C, 99 P) Pages in category "19th-century songs" ... The Caller (folk song)
Birch (song) Birmingham Jail; Birmingham Sunday; Black and White (Pete Seeger song) Black Betty; Black Is the Color of My True Love's Hair; Blind (SZA song) The Blinding of Isaac Woodard; Blowin' in the Wind; Blues Run the Game; Boat on the River; Boil Them Cabbage Down; Boundin' Breakaway (Kelly Clarkson song) Britney (song) Buffalo Gals; The ...
American folk music is a broad category of music including bluegrass, gospel, old time music, jug bands, Appalachian folk, blues, Cajun and Native American music. [ not verified in body ] The music is considered American either because it is native to the United States or because it developed there, out of foreign origins, to such a degree that ...
Thomas too championed works by leading European composers. He also conducted works by leading U.S. composers. Today, the vast majority of 19th century U.S. composers are all but lost to history. This was also the era when women composers and African-American composers started to see their music published in increased numbers.
It contained 335 songs, went through several editions, and became one of the most popular southern tunebooks in the 19th century. In 1867 Walker claimed over 600,000 copies had been sold. Walker added an appendix of additional tunes in 1840 with a further enlargement in 1847. An 1854 revision deleted several tunes and added still more.
American folk songs (61 C, 359 P) Pages in category "American folk music" The following 46 pages are in this category, out of 46 total. This list may not reflect ...
Early 1820s music trends The Boston 'Euterpiad becomes the first American periodical devoted to the parlor song. [5]The all-black African Grove theater in Manhattan begins staging with pieces by playwright William Henry Brown and Shakespeare, sometimes with additional songs and dances designed to appeal to an African American audience. [6]