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The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
Landscape with a Tree on the Right 1828 Tate Britain, London: 27.9 x 41.6 Outline of a Venus Pudica 1828 Tate Britain, London: 135.6 x 98.1 Italian Landscape, probably Civita di Bagnoregio 1828 Tate Britain, London: 149.9 x 249.6 Landscape with Trees and a Castle 1828 Tate Britain, London: 41.6 x 60 Southern Landscape with an Aqueduct and ...
The drawing is related to the etching B095 : Study for Judas Returning the Thirty Pieces of Silver: c. 1628-1629?? Private collection: The drawing is related to the painting W23 : Standing Beggar in Lost Profile: c. 1628-1629: Pen: 29.4 x 17 cm: Rijksmuseum Amsterdam: The drawing is related to the etching B162 : Self-portrait with Open Mouth: c ...
View of a River, Quay, and Bridge: 17 July 1888 Private collection Arles F 1507 JH 1469 On the Road to Tarascon: July 1888 Kunsthaus Zürich: Arles F 1502 JH 1492 Landscape with Trees: July 1888 Art Institute of Chicago: Arles F 1518 JH 1493 Landscape with a Tree in the Foreground: July 1888 Virginia Museum of Fine Arts, Richmond: Arles F 1509 ...
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
Nilotic landscapes are filled with abundant plant and animal life. Blue and green pigments often dominate the scene. The papyrus plant and palm trees are the most recognizable botanic features of a nilotic landscape, along with other plants, often carefully depicted and identifiable. Various animals are represented and vary depending on the ...
Image Details Infernal Landscape. Type: Pen and brown ink Size: 25.9 x 19.7 cm Location: Private Collection Infernal Landscape previously thought to have been made by an assistant in the workshop of medieval Dutch artist Hieronymus Bosch has been authenticated as a piece by the master himself by the Bosch Research and Conservation Project (BRCP).
From this time on, the surviving drawings by Westall decrease markedly in both number and quality. Findlay assumed that nearly all of Westall's drawings have survived, and sees the Westall's low output as indicative of his growing disillusionment with the Australian landscape, which he perceived as lacking in the picturesque qualities he sought ...