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Orpheus played with his lyre a song so heartbreaking that even Hades himself was moved to compassion. The god told Orpheus that he could take Eurydice back with him, but under one condition: she would have to follow behind him while walking out from the caves of the underworld, and he could not turn to look at her as they walked.
He calls him the son of Oeagrus , mentions him as a musician and inventor (Ion and Laws bk 3.), refers to the miraculous power of his lyre , and gives a singular version of the story of his descent into Hades: the gods, he says, imposed upon the poet, by showing him only a phantasm of his lost wife, because he had not the courage to die, like ...
Roman mosaic of Orpheus, the mythical poet to whom the Orphic Hymns were attributed, from Palermo, 2nd century AD [32]. The collection's attribution to the mythical poet Orpheus is found in its title, "Orpheus to Musaeus", [33] which sits above the proem in the surviving manuscripts of the collection; [34] this proem, an address to the legendary poet Musaeus of Athens (a kind of address found ...
Orfeusz i Eurydyka (Orpheus and Eurydice [1]) is a poetry collection by Czesław Miłosz. It was first published in 2003 in Polish and translated same year to English, German and Swedish. It was first published in 2003 in Polish and translated same year to English, German and Swedish.
Orpheus's life. Aornum (Ancient Greek: Ἄορνον) was an oracle in Ancient Greece, located in Thesprotia in a cave called Charonium (Χαρώνειον ἄντρον or χάσμα) which gave forth poisonous vapours. [1] The name of the cave, "Charon's Cave", reflects the belief that it was an entrance for Hades, the Greek underworld. [2]
The katabasis of Orpheus in book 10 is the last major inclusion of the theme by Ovid in the Metamorphoses. Orpheus is distraught by the death of his wife, Eurydice . He enters the Underworld through the Spartan Gates and visits Dis and Proserpina to beg for the return of his bride.
[2] In a way, Blanchot uses the myth to transcribe the creative process—Lynne Huffer suggests that “Eurydice's disappearance symbolizes a loss that is recuperated by the compensatory gift of Orpheus's song.” [3] Blanchot believes that the myth itself is a fitting example of the necessity of obliqueness and indirection in approaching being ...
The poem was lost, but in the fifteenth century it was found and copied in a manuscript (Codex Matritensis gr. 4562) by the Neoplatonic Greek scholar Constantine Lascaris, who is considered a Pythagorean Orpheus. [2] Another related work is the Lithica (describing the properties and symbolism of different stones).