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For a further discussion of "bending" on the harmonica, see the harmonica article. The key played in this style is one fifth above the nominal tuning of the harmonica, e.g. a C harmonica is played in the key of G. Therefore, to be in tune with a normal guitar tuning of E, an A harmonica is often used.
Thus, while a chromatic harmonica is well-suited for playing lead or melody, diatonic harmonicas have a greater advantage when playing harmony or accompaniment. As the chromatic harmonica is designed to play melodies in any key, many 16-hole and special version chromatic are only made in the key of C.
Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion).It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century and is credited with inventing the blow/draw mechanism that allows the harmonica to play different notes when the air is drawn instead of blown.
Initial diatonic harmonica tunings were major key only. In 1931, Hiderō Satō (佐藤秀廊) announced the development of a minor key harmonica. There are two types of minor key tunings, "natural minor" suitable for folk and contemporary music, and Latin American music, and the "harmonic minor" suitable for some famous Japanese pieces.
Another method is to play in the key one whole tone above that of the harmonica. On a C-tuned harmonica, this would mean playing in the key of D. This is known as "slant harp" or "third position" playing, and results in the harmonica playing in dorian mode. This is much less intuitive as it requires the ability to bend notes completely ...
Sebastian occasionally produced instructional materials aimed at teaching beginning harmonica. His instructional record Play the Harmonica focused on diatonic harmonica, [4] and he also wrote a beginner's method book entitled An Introduction to the Chromatic Harmonica (aka Chromatic Harmonica Instruction Course) that was published by M. Hohner ...
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