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Nick Sylvester is an American record producer, songwriter, multi-instrumentalist, and music executive. He is best known for his writing and production work with Channel Tres and Yaeji , [ 1 ] and as the creative co-founder of Godmode Music.
La Isla Bonita is the twelfth studio album by American rock band Deerhoof.Produced by former music journalist and Mr. Dream drummer Nick Sylvester, it was released on November 4, 2014 through Polyvinyl Record Co. [1] [2]
Based in Brooklyn, New York, Mr. Dream was composed of Adam Moerder (vocals, guitarist), Matt Morello (vocals, bass guitarist) and Nick Sylvester (drums, producer). Moerder has written several pieces for various publications, including The New Yorker and Pitchfork. [1] [2] Sylvester was a writer at the Village Voice and Pitchfork. [3]
Yaeji is the debut extended play by South Korean-American house music producer Kathy Yaeji Lee, known by her stage name as Yaeji.Written and produced by Lee and Nick Sylvester, [1] the EP is a lo-fi house record with minimal structures and spoken word lyrics in a combination of Korean and English.
The music video for "On the Regular" was directed by Anthony Sylvester, [19] brother of the song's producer Nick Sylvester. [3] [20] It shows Shamir with different hairstyles, flashy patterns, and a fringe jacket. [11] He plays with a rubber band gun and makes balloons burst into color. [19]
[10] Nick Sylvester of Pitchfork found the album's instrumentation and lyrics derivative of The Strokes and Television, and criticised Borrell's vocal delivery for impersonating said bands' frontmen with no passion, concluding that "Razorlight refuse to meet their influences with anything more than half hugs and limp handshakes, butchering the ...
Nick Sylvester (m. 2015) Children: 1: Mina Mugil Kimes (born September 8, 1985) is an American journalist who specializes in business and sports reporting.
Surgery received a mixed reception from critics; A PopMatters review by Stephen Haag rated it at 6 out of 10, while a Pitchfork review gave the album only a 1.7 out of 10 rating, with Nick Sylvester describing the album as "A mopey bunch of trite sap O.D.-type tales almost as unstomachable as the band's former crapothecary hymns."