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English: Christian Dior evening ensemble, "Zémire," H Line, Fall-Winter 1954. Red cellulose acetate satin. Ballgown skirt, separate bodice, long jacket, and petticoat with white boned corset bodice and red crinoline skirt.
A succession of style trends led by Christian Dior and Cristóbal Balenciaga defined the changing silhouette of women's clothes through the 1950s. Television joined fashion magazines and movies in disseminating clothing styles. [3] [4] The new silhouette had narrow shoulders, a cinched waist, bust emphasis, and longer skirts, often with wider ...
[3] [7] This was Dior's intention, as he aimed to "mark a departure" from the simplistic fashions of wartime years. [7] The raffia elements were in line with trends of the 1950s, with the dress embodying Dior's New Look, which reintroduced feminine features and voluminous skirts in a post-World War II era.
“The 1950s fashion embraced femininity with A-line dresses, matching sets, puffy skirts, and romantic details like softer shoulders, lace, and delicate patterns,” says Tali Kogan, a personal ...
In the 10-episode first season, Dior, then a little-known designer working for couturier Lucien Lelong (John Malkovich), begrudgingly agrees to make dresses for the wives and girlfriends of Nazi ...
Shirtdresses were sometimes called "shirtwaist dresses" when they were fashionable during the 1950s. The 1950s version of the shirtdress was launched as part of Christian Dior's post–World War II "New Look" couture designs, with a full skirt held up by wearing a crinoline. [1]
The term was first used by the French couture designer Christian Dior as the label for his collection of spring 1955. [2] The A-Line collection's feature item, then the "most wanted silhouette in Paris", was a "fingertip-length flared jacket worn over a dress with a very full, pleated skirt".
Ariana Grande attended the Golden Globes first-time nominee luncheon at the Maybourne Beverly Hills with her mother, Joan, wearing vintage Christian Dior.
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