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Platel is considered the founder of the Belgian school of cello playing. [1] [2] [4] [5] His students included Adrien-François Servais, Alexandre Batta, and François de Munck , who would succeed him in the position. [2] Platel is credited with inspiring Batta to switch from the violin to the cello. [6] Platel died in Brussels on 25 August ...
Beethoven, indeed, is credited with composing one of the first cello sonatas with a written-out piano part. [1] The Op. 5 sonatas are the first two examples of fully developed cello sonatas in the modern tradition. [2] Both of these sonatas are in two movements, with an extended Adagio introduction preceding the opening Allegro of both of them.
Sonata No. 1 for cello and piano Op.29 (1924). Sonata No. 2 for cello and piano Op.30 No.1 (1924) Sonata No. 3 for cello and piano Op.30 No.2 (1919–26) Mystère op. 37 Nr.2; 12 Preludes (Violoncelle bien tempéré)Op.38 (1925–26) Songs and dances op. 84 (1953) Mikis Theodorakis. East of the Aegean, Suite for cello and piano; Augusta Read Thomas
Solo for Cello (1958) Variations I (1958) Etudes Boreales (1978) Elliott Carter. Figment (1994) Figment No. 2, Remembering Mr. Ives (2001) Gaspar Cassadó. Suite (1926) Geghuni Chitchjan. Sonata for solo cello (1983) Frédéric Chopin. Etude in A ♭ major, Op. 25, No. 1 (trans. Cassadó) Nigel Clarke. Spectroscope (1987)
The A major Violin Sonata is one of César Franck's best-known compositions, and is considered one of the finest sonatas for violin and piano ever written. [1] After thorough historical study based on reliable documents, the Jules Delsart arrangement for cello (the piano part remains the same as in the violin sonata) was published by G. Henle Verlag as an Urtext edition.
Opus 38, Three Sonatas for Cello and Piano (also Three Trios for viola and two cellos) No.1, Cello Sonata in E minor; No.2, Cello Sonata in G Major; No.3, Cello Sonata in B-flat Major; Opus 39, String Quartet No 9 in D Minor; Opus 41, Concertino in E minor for cello and orchestra; Opus 42, Divertimento on Swedish National Themes
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Kindertrio No. 2 in D major; Suite No. 2 in A minor for cello and piano, Op. 4; Concertino No. 2 in G major for cello and piano, Op. 41; Caprice in the Form of a Chaconne after a Theme by Schumann for solo cello, Op. 43; Double Concerto in E minor for two cellos, Op. 45; Concertino No. 3 in A minor for cello and piano, Op. 46; Six Sonatinas for ...