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Sonata No. 1 for cello and piano Op.29 (1924). Sonata No. 2 for cello and piano Op.30 No.1 (1924) Sonata No. 3 for cello and piano Op.30 No.2 (1919–26) Mystère op. 37 Nr.2; 12 Preludes (Violoncelle bien tempéré)Op.38 (1925–26) Songs and dances op. 84 (1953) Mikis Theodorakis. East of the Aegean, Suite for cello and piano; Augusta Read Thomas
This is a list of notable performers who appeared as piano duos in classical music. Most of these pianists performed works for piano four-hands (two pianists at one piano; also known as piano duet) as well as works for two pianos, often with orchestras or chamber ensembles. Some of these teams focussed exclusively or predominantly on this ...
A Book of Music for two prepared pianos (1944) Experiences No. 1 (1945) Three Dances for two prepared pianos (1945) Furniture Music Etcetera (1980) Two 2 (1989) Cornelius Cardew (1936-1981) Two Books of Study for Pianists (1958) Boolavogue (1981) Jacques Castérède (born 1926) Crosses on Fire for 2 pianos (Feux croisés pour deux pianos) (1963)
Frederik Magle [2] Sonata for cello and organ "From the earth" Peter Matthews [3] Four Seasons for cello and organ; Tim McKenry Relentless for Organ and 'Cello [4] Gustav Adolf Merkel Andacht; Wolfgang Mitterer. Zugabe, Sortisatio, Histrio (1989) Wolfgang Amadeus Mozart. Ave verum corpus (trans. Ernst-Thilo Kalke)
A piece performed by two pianists performing together on the same piano is a "piano duet" or "piano four hands". [1] A piece for two pianists performing together on separate pianos is a "piano duo". "Duet" is also used as a verb for the act of performing a musical duet, or colloquially as a noun to refer to the performers of a duet.
Op. 69 L'Angélus for 2 voices and piano (Enoch) 1893; Op. 70 Le Pêcheur et l'Ondine for 2 voices and piano (Enoch) 1893; Op. 71 Duo d'Étoiles for 2 voices and piano (Enoch) 1892; Op. 72 [missing] Op. 73 Valse Carnavalesque for 2 pianos (Enoch) 1894; Op. 74 Pièce dans le Style Ancien (Enoch) 1893 Op. 74a idem for piano duet (Enoch) 1893
They preceded his first conventional sonata for soloist and piano accompaniment, the first violin sonata, by two years; they also preceded the composition of the cello concerto by a year, and served as a venue for textural and technical experimentation in cello writing for Schumann. The pieces also reflect Schumann's longstanding interest in ...
Grove notes that the one-piano duet has the larger repertory, but has come to be regarded as a modest, domestic form of music-making by comparison with "the more glamorous two-piano duet". [2] The latter is more often referred to as a piano duo. [3] The piano duet came to popularity in the second half of the 18th century.