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The poem on a gravestone at St Peter’s church, Wapley, England "Do not stand by my grave and weep" is the first line and popular title of the bereavement poem "Immortality", written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
Adds a block quotation. Template parameters [Edit template data] Parameter Description Type Status text text 1 quote The text to quote Content required char char The character being quoted Example Alice Content suggested sign sign 2 cite author The person being quoted Example Lewis Carroll Content suggested title title 3 The title of the poem being quoted Example Jabberwocky Content suggested ...
There are interpretations that relate "Because I could not stop for Death" specifically to Christian belief in the afterlife, reading the poem from the perspective of a "delayed final reconciliation of the soul with God." [6] In the poem, the speaker joins both "Death" and "Immortality" inside the carriage that collects her, thus personifying a ...
The poem questions whether you valued your life over death or, worse, never having been born. Did you in fact see life for all of its beauty or do you view your life as a waste? The poem asks you to analyze your life, to question whether every decision you made was for the greater good, and to learn and accept the decisions you have made in ...
Accustom yourself to believing that death is nothing to us, for good and evil imply the capacity for sensation, and death is the privation of all sentience; therefore, a correct understanding that death is nothing to us makes the mortality of life enjoyable, not by adding to life a limitless time, but by taking away the yearning after immortality.
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George Herman notes that this expected role of the "three-person'd God" brings together the poem with the image of a bigger force needed for redemption: Herman proposes that "God the Father needs to break rather than knock at the heart, God the Holy Ghost to blow rather than breathe, and God the Son to burn rather than shine on the 'heart-town ...
Little Gidding is the fourth and final poem of T. S. Eliot's Four Quartets, a series of poems that discuss time, perspective, humanity, and salvation.It was first published in September 1942 after being delayed for over a year because of the air-raids on Great Britain during World War II and Eliot's declining health.