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The Jazz Scene, Rawlings, Terry. Mod: A Very British Phenomenon; Scala, Mim. Diary Of A Teddy Boy. Sitric (2000), ISBN 0-7472-7068-6; Verguren, Enamel . This Is a Modern Life: The 1980s London Mod Scene, Enamel Verguren. Helter Skelter (2004), ISBN 1-900924-77-3; Weight, Richard. Mod: A Very British Style. Bodley Head (2013) ISBN 978-0224073912
The mod revival is a subculture that started in the United Kingdom in the late 1970s and later spread to other countries (to a lesser degree).. The Mod Revival started with disillusionment with the punk scene when commercialism set in. [citation needed] It was featured in an article in Sounds music paper in 1976 and had a big following in Reading/London during that time.
Mod Fun are an American power pop/garage punk band from New Jersey. Mod Fun were originally active in the early to mid-1980s, and played an integral part in New York City's burgeoning garage rock revival scene at the time. [1] By mid 1986, they were widely regarded as one of the best known indie rock bands in NYC and New Jersey. After ...
The original members were Reg King (lead vocals), Alan "Bam" King (rhythm guitar, vocals), Mike "Ace" Evans (bass guitar) and Roger Powell (drums). [1] Members Reg King and Powell had known each other since their schooldays, [3] and were involved in the early days of the Scene Club in Soho, London, becoming pioneers in mod subculture and ...
The mod subculture was centred on fashion and music, and many mods wore parkas and rode scooters. Mods wore suits and other cleancut outfits, and listened to music genres such as modern jazz , soul , Motown , ska and British blues-rooted bands like the Yardbirds , the Small Faces , and later the Who and the Jam .
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Module file (MOD music, tracker music) is a family of music file formats originating from the MOD file format on Amiga systems used in the late 1980s. Those who produce these files (using the software called music trackers) and listen to them form the worldwide MOD scene, [1] a part of the demoscene subculture.
The band was formed in 1963, and toured Germany for a month, playing several sets each day. [2] The band's first recording was a version of "Smoke Gets in Your Eyes", recorded in Joe Meek's bathroom. [2] They were signed by Pye subsidiary Piccadilly Records, and began working with producer John Schroeder. Their line-up included Fardon, Whitcher ...