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"The Renegade" is a poem by David Diop which blackguards those Africans who have espoused European customs at the expense of their African roots. Critics have noted, sometimes pointedly, that Diop himself spent most of his life outside Africa. The point of view is first person singular and the persona uses apostrophe to address the alienated ...
David Mandessi Diop (9 July 1927 – 29 August 1960) [1] was a French West African poet known for his contribution to the Négritude literary movement. [2] His work reflects his anti-colonial stance. [ 3 ]
The Well Wrought Urn: Studies in the Structure of Poetry by Cleanth Brooks and Paul Rand. Harcourt, Brace 1975 ISBN 9780156957052 "Review of Poems, in Two Volumes by Francis Jeffrey, in Edinburgh Review, pp. 214–231, vol. XI, October 1807 – January 1808; Composed upon Westminster Bridge, September 3, 1802 in audio on Poetry Foundation
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The style Camus employs in "The Renegade" is representative of the fictional narrator and can sometimes be difficult to decipher. The story is written in the first person perspective and just like the narrator, the language is muddled, disjointed and disorganized; leaving the reader to piece together the facts from the hysterical and neurotic monologue.
The patriotic poem and song caused a sensation and were constantly performed throughout the war and beyond. Kipling was offered a knighthood shortly after publication of the poem but declined the honour. Vast numbers of copies of the poem and sheet music were published, and large quantities of related merchandise were sold to aid the charity.
The Renegado was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 17 April 1624.It was acted at the Cockpit Theatre by the Lady Elizabeth's Men; when that troupe was merged or re-organized into Queen Henrietta's Men in the following year, 1625, the play remained in their repertory.
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