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The few concertos written in this key are usually written for the composer himself to play, including Rachmaninoff's Piano Concerto No. 1, Scriabin's Piano Concerto, Wieniawski's Violin Concerto No. 1, Vieuxtemps's Violin Concerto No. 2, Bernhard Romberg's Cello Concerto Op. 30 and Koussevitzky's Double Bass Concerto.
Such hobbyists may also play major-thirds tuning, which also has many open chords with notes on five or six strings; [26] [27] chords with five-six strings have greater volume than chords with three-four strings and so are useful for acoustic guitars (for example, acoustic-electric guitars without amplification).
The most common way to play with palm muting is placing the edge of picking hand near the bridge, dampening the strings when necessary. However, moving the hand further from the bridge and closer to the neck changes the effect drastically. Moving the hand closer to the bridge (and even resting part of edge on the bridge) makes palm muting lighter.
Morse code mnemonics are systems to represent the sound of Morse characters in a way intended to be easy to remember. Since every one of these mnemonics requires a two-step mental translation between sound and character, none of these systems are useful for using manual Morse at practical speeds.
Football Manager 2007, also known as Worldwide Soccer Manager 2007 in North America, is a football management simulation video game and the third instalment in the Football Manager series developed by Sports Interactive and published by Sega.
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On the review aggregator Metacritic, Football Manager 2017 received a score of 80 out of 100, based on 47 critics, indicating "generally favorable reviews". [11] GameSpot gave the game a 7/10, applauding the player development and smart transfers, and also saying "Football Manager 2017 is easy to recommend to the budding manager" but not enjoying the tactics interface. [13]
Relative tonic chords on C and A (Play ⓘ). Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 (Play ⓘ with half cadence, Play ⓘ with PAC) transitions from FM to its relative minor dm through the inflection of C ♮ to C ♯ between the second and third chords. This modulation does not require a change of key signature.