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The Bible in Shakespeare: A Study of the Relation of the Works of William Shakespeare to the Bible New York: Thomas Y. Crowell Company, 1903. Burnet, R. A. L. “A Further Echo of Gilby’s ‘Commentary on Micah’ in Macbeth” Notes and Queries 29(2) (Apr 1982): 123–4.
Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...
This is the grace that sanctifies an individual, granting the person a participation in the divine nature and ordering him to God as to one’s supernatural end. It is this grace that receives the much greater part of the attention in the treatise on grace. The other kind of grace is gratia gratis data, commonly translated as "gratuitous grace ...
The Herb of Grace by Elizabeth Goudge (IV.v) No Wind of Blame by Georgette Heyer (IV.vii) First Gravedigger by Barbara Paul (V.i) From "Alas, poor Yorick!" (V.i): Alas! Poor Yorick!, 1913 film starring Fatty Arbuckle "Alas, Poor Maling", 1940 short story by Graham Greene; Alas Poor Yagan, 1997 editorial cartoon by Dean Alston
The Three Witches, also known as the Weird Sisters, Weyward Sisters or Wayward Sisters, are characters in William Shakespeare's play Macbeth (c. 1603–1607). The witches eventually lead Macbeth to his demise, and they hold a striking resemblance to the three Fates of classical mythology.
Shakespeare and his immediate family were conforming members of the established Church of England. When Shakespeare was young, his father, John Shakespeare, was elected to several municipal offices, serving as an alderman and culminating in a term as bailiff, the chief magistrate of the town council, all of which required being a church member in good standing, and he participated in ...
Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.
William Shakespeare's play Macbeth is said to be cursed, so actors avoid saying its name when in the theatre (the euphemism "The Scottish Play" is used instead). Actors also avoid even quoting the lines from Macbeth before performances, particularly the Witches' incantations. Outside a theatre and after a performance, the play can be spoken of ...