Search results
Results from the WOW.Com Content Network
Some high schools, to reflect the varying skill required for different course levels, will give higher numerical grades for difficult courses, often referred to as a weighted GPA. For example, two common conversion systems used in honors and Advanced Placement courses are: A = 5 or 4.5; B = 4 or 3.5 [5] C = 3 or 2.5; D = 2 or 1.5; F = 0 [19]
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
GPA not reported. Upper year courses have an easier curve. [119] GPA calculated based on 4.33 scale. New York University School of Law – not reported, but likely around 3.3 after 1L. Only 31% of 1L class grades are A−'s or higher. [120] University of Michigan Law School – class rank is not established until after graduation [121]
This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a D minor chord, and a G dominant seventh chord. In a jazz context, players have the freedom to add sevenths , ninths , and higher extensions to the chord.
2.3 3 3 8 points 3.0 2.0 3- 7 points 3.3 1.7 50–65% 4+ 6 points 3.7 "ausreichend" (sufficient: an achievement that fulfills the requirements despite flaws) 1.3 4 4 5 points 4.0 1.0 0–49% 4- 4 points 5.0 "mangelhaft" / "ungenügend" / "nicht bestanden" (insufficient / failed: an achievement that does not fulfill requirements due to major flaws)
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
9 dominant seventh chord (on E: m3=G ♮ =F =A9). [9] Play ⓘ The dominant 7 ♯ 9 chord is usually found in blues contexts because in a blues scale a minor third in the melody is usually played against a dominant seventh chord. [9] The third of the dominant chord is the seventh degree of the scale.
In these chords, tones that might normally be considered nonchord tones are viewed as chord tones, such as the seventh of a minor seventh chord. For example, in 1940s-era bebop jazz, an F ♯ played with a C 7 chord would be considered a chord tone if the chord were analyzed as C 7(♯ 11).