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LOVE sculpture Arts Park in New Castle, Indiana In New York City, New York In John F. Kennedy Plaza, Philadelphia with Museum of Art in the far background At the Scottsdale, Arizona Civic Center. Robert Indiana's pop art Love design was originally produced as a print for a Museum of Modern Art Christmas card in 1965.
Among his best-known students were Charles-Théodore Frère, Prosper Marilhat, Marie-Alexandre Alophe, Eugène Lami, Constant Troyon and Marie-Élisabeth Blavot. Later, in the 1830s, he produced historical paintings inspired by the novels of Walter Scott and painted battle-scenes at Versailles . [ 1 ]
Première rêverie (English: First Reverie), also known in English as Whisperings of Love, is a painting by nineteenth-century French artist William-Adolphe Bouguereau. The work was completed in 1889 and is held at the New Orleans Museum of Art .
The Kiss (German: Der Kuss) is an oil-on-canvas painting with added gold leaf, silver and platinum by the Austrian Symbolist painter Gustav Klimt. [3] It was painted at some point in 1907 and 1908, during the height of what scholars call his "Golden Period". [4]
100 Great Paintings is a British television series broadcast in 1980 on BBC Two, devised by Edwin Mullins. [1] He chose 20 thematic groups, such as war, the Adoration , the language of colour, the hunt, and bathing, picking five paintings from each. [ 2 ]
John Constable RA (/ ˈ k ʌ n s t ə b əl, ˈ k ɒ n-/; [1] 11 June 1776 – 31 March 1837) was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting [2] with his pictures of Dedham Vale, the area surrounding his home – now known as "Constable Country" – which he invested with an intensity of ...
Love's Messenger reflects the influence of both early Pre-Raphaelite painting and Italian Renaissance painting.The symbols portrayed in the painting, including the dove, rose, ivy, and the blind-folded Cupid "suggest constancy, fidelity, and loveliness in full bloom," but also suggest "beauty on the cusp of decay, sensuality, and the pain Cupid's arrows may inflict."
The painter wished to represent with various symbols the war and peace between heavenly and common love formulated by Plato. On one side he painted Heavenly Love wrestling with Common Love and pulling him by the hair: this is the philosophy and most sacred law that removes the soul from vice, raising it on high.