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The rest of the lineup was completed with former bassist John Bentley and new members Stephen Large on keyboards and Simon Hanson on drums. [31] During a UK tour in late 2010, Large was temporarily replaced by Steve Nieve. [32] The group issued two live albums and Spot the Difference, comprising new recordings of old songs, between 2007 and ...
A Round and a Bout is a live album by the British new wave group Squeeze, released in 1990 by I.R.S. Records and Deptford Fun City Records. A concert video was released with the same title, and contained mostly the same performances from the LP. The album spent one week at number 50 in the UK Albums Chart in April 1990. [2]
The new line-up of Squeeze, with Biddle permanently replacing Hurley, began touring in 2021. In November 2022, in response to the United Kingdom cost of living crisis , the band announced that proceeds from their Food for Thought EP would be donated to food banks and asked fans attending their UK tour to bring donations for the Trussell Trust .
Squeeze is the fifth and final studio album released under the Velvet Underground band name, recorded in the autumn of 1972 and released in February 1973 by Polydor Records. The album features Doug Yule from the Lou Reed -era lineup of the group, who wrote and recorded the album almost entirely by himself.
Domino is a 1998 album by the British new wave group Squeeze. It was the band's twelfth studio album. It was the band's twelfth studio album. After a career struggling with various major record labels, the band decided to record and release Domino independently, on Glenn Tilbrook 's own Quixotic Records .
"Pulling Mussels" is a "crowd favourite" at Squeeze concerts, [24] and as of September 2020, it is the band's most played song in concert. [25] The band performed the song on Saturday Night Live on 20 November 1982. [11] In 2001, it was the finale of a Glenn Tilbrook show in Cambridge, Massachusetts, United States. [26]
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"Another Nail in My Heart" is a 1980 song by new wave band Squeeze. Written by Chris Difford and Glenn Tilbrook, it was released on the album Argybargy.Notable for Tilbrook's guitar solo right after the first verse, the song features marimba in its opening at the suggestion of newly acquired bassist John Bentley.