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Furniture or chair caning may be confused with wicker; chair caning is specifically the craft of applying rattan cane or rattan peel to a piece of furniture such as the backs or seats of chairs, whereas wicker or wicker work is a reference to the craft of weaving any number of materials such as willow or rattan reeds as well as man-made paper ...
A wicker basket filled with apples. Wicker is a method of weaving used to make products such as furniture and baskets, as well as a descriptor to classify such products. It is the oldest furniture making method known to history, dating as far back as c. 3000 BC.
By the 1800’s most Akwete weavers used only imported cotton and found ways to create patterns more quickly, such as sewing two or three stripes together. Access to European weaving methods additionally led to the Akwete utilizing the 2-yard-long European standard size for cloth.
In rural Sindh a traditional chair called "Moorho" and table are made from chusquea culeou bamboo, put together with reeds and straw. [32] Beadwork: Beadwork (Motin jo kam) is used in many things, like jewelry, Sagi/Choti, keychains, pens, Agath, for decorations on busses and rickshaws. [33] [34]
The term "sawali" is more properly defined as twilled weaving patterns. The term can also be applied to baskets and banig (soft woven mats made from pandan leaves, buri palm straw, abaca, or sedges), which also use the same weaving patterns. [2] [3] Amakan panels are commonly confused with pawid (nipa panels), which are made from thatched leaves.
Binakael (binakel, binakol, binakul [1]) (transliterated, "to do a sphere") is a type of weaving pattern traditional in the Philippines. Patterns consisting entirely of straight lines are woven so as to create the illusion of curves and volumes. [2] A sense of motion is also sought. [3] Designs are geometric, but often representational.
Weaving pattern cards used by Skye Weavers, Isle of Skye, Scotland. The rapier-type weaving machines do not have shuttles, they propel cut lengths of weft by means of small grippers or rapiers that pick up the filling thread and carry it halfway across the loom where another rapier picks it up and pulls it the rest of the way. [6]
Kente patterns vary in complexity, with each pattern having a name or message by the weaver. Ghanaians choose kente cloths as much for their names as their colors and patterns. Although the cloths are identified primarily by the patterns found in the lengthwise (warp) threads, there is often little correlation between appearance and name.
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