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Lamentation of Christ is an Early Netherlandish panel painting made 1455–1460 by Flemish painter Dirk Bouts of the Lamentation of Christ. [1] the picture was bequeathed to the Louvre Museum by Constant Mongé-Misbach in 1871, at which time it was misattributed to Rogier van der Weyden. [2] [3] It remains in that museum's collection as RF 1 ...
Dirk Bouts, Triptych with Scenes from the Life of the Virgin, c. 1445, oil on panel, 80 × 217 cm (31 × 85 in), Museo del Prado, Madrid. [1] The Triptych with Scenes from the Life of the Virgin is an oil painting on panel by the Early Netherlandish painter Dieric Bouts. It was executed c. 1445 and is now in the Museo del Prado, in Madrid. [1]
Last Supper by Dieric Bouts, 1464-1467. The Last Supper of Jesus and the Twelve Apostles has been a popular subject in Christian art, [1] often as part of a cycle showing the Life of Christ. Depictions of the Last Supper in Christian art date back to early Christianity and can be seen in the Catacombs of Rome. [2] [3]
Dieric Bouts [note 1] (born c. 1415 – 6 May 1475) [2] was an Early Netherlandish painter. Bouts may have studied under Rogier van der Weyden , and his work was influenced by van der Weyden and Jan van Eyck .
A very similar c 1470 work attributed to Bouts, is comparable in composition, colorisation and tone, and is today in the London National Gallery. [11] In this work Bouts shifts the emphasis and presents both Christ and Mary in the tradition, with Mary now presented as the Woman of Sorrow". [7]
Aelbrecht Bouts (c.1452 - March 1549) was a Flemish painter of the Early Netherlandish era. His first name is sometimes spelled ‘Albert’, ‘Aelbert’ or ‘Albrecht’. He was born into a family of painters in Leuven. Aelbrecht’s father was Dieric Bouts the Elder (c. 1415-1475), and his brother was Dieric Bouts the Younger (c. 1448-1490 ...
[2] The Virgin is identifiable as the Mater Dolorosa by the tears that stream down her face. [1] Bouts painted many versions of the Ecce Homo during his career. [4] His father, Dieric, had painted a similar set of oil-on-oak panels c. 1470–75, known as the Christ and the Virgin Diptych, now in the National Gallery, London.
Dirk Bouts, The Entombment (Graflegging in Dutch), probably 1450s. Glue-size tempera on linen, 87.5 × 73.6 cm (34.4 × 29 in). [1] National Gallery, London (NG 664). The Entombment is a glue-size painting on linen [notes 1] attributed to the Early Netherlandish painter Dieric Bouts.