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Super 8 mm, 8 mm and Standard (double) 8 mm formats Standard and Super 8 mm film comparison In 1965, Super-8 film was released and was quickly adopted by many amateur film-makers. It featured a better quality image and was easier to use mainly due to a cartridge-loading system that did not require reloading and rethreading halfway through.
Standard 8 mm film, also known as Regular 8 mm, Double 8 mm, Double Regular 8 mm film, or simply as Standard 8 or Regular 8, is an 8 mm film format originally developed by the Eastman Kodak company and released onto the market in 1932. Super 8 (left) and Regular 8 mm (right) film formats. Magnetic sound stripes are shown in gray.
Agfa Wittner-Chrome, Aviphot-Chrome or Agfachrome reversal stocks (rated at 200 ISO, made from Wittner-Chrome 35mm still film) are available in 16mm and 8mm from Wittner-Cinetec in Germany or Spectra Film and Video in the United States. The Agfa label was also used in widely produced East German film stocks based on Agfa patents before the ...
Adox was a German camera and film brand of Fotowerke Dr. C. Schleussner GmbH of Frankfurt am Main, the world's first photographic materials manufacturer. In the 1950s it launched its revolutionary thin layer sharp black and white kb 14 and 17 films, referred to by US distributors as the 'German wonder film'. [1]
Super 8 mm film is a motion-picture film format released in 1965 [1] [2] [3] by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format. The formal name for Super 8 is 8-mm Type S , distinguishing it from the older double-8 format, which is called 8-mm Type R.
Film is commonly checked for broken sprocket holes before presentation, a process known as "spooling". Mechanical devices exist for this purpose, but the classic method is to place the finger and thumb of a gloved hand on the edges of the film, which is mounted on a winding bench, and to slowly run the film through the fingers, feeling for snags.
First known film is the first film (not including tests) made with the format and intended for release. Negative gauge is the film gauge (width) used for the original camera negative. Negative aspect ratio is the image ratio determined by the ratio of the gate dimensions multiplied by the anamorphic power of the camera lenses (1× in the case ...
Not a film where moral issues are forgotten in the excitement of an action climax. Yes, the hero is an ordinary man who finds himself able to handle violent situations, but that's not the movie's point. The last two words of the screenplay are 'save me' and by the time they're said, we know what they mean." [9]