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A Reading from Homer (sometimes Listening to Homer) is an oil-on-canvas painting executed in 1885 by the English artist Lawrence Alma-Tadema.It depicts an imaginary festival scene from ancient Greece with youth reading poetry to a small audience on a marble balcony overlooking the sea.
In addition to her own collections of stories and poems, which she often published herself, Alma-Tadema wrote two novels, songs and works on drama; she also made translations. The Orlando Project says about Alma-Tadema's writing that the "characteristic tone is one of intense emotion, but in prose and verse she has the gift of compression". [1]
Alma-Tadema's birth house and statue in Dronryp, Netherlands. Alma-Tadema was born on 8 January 1836 in the village of Dronryp in the province of Friesland in the north of the Netherlands. [2] The surname Tadema is an old Frisian patronymic, meaning 'son of Tade', while the names Lourens and Alma came from his godfather. [3]
The vast majority of Godward's extant images feature women in Classical dress posed against landscape features, although there are some semi-nude and fully nude figures included in his oeuvre, a notable example being In The Tepidarium (1913), a title shared with a controversial Alma-Tadema painting of the same subject that resides in the Lady ...
Tepidarium in the Forum Thermae at Pompeii. The tepidarium was the warm (tepidus) bathroom of the Roman baths heated by a hypocaust or underfloor heating system. The speciality of a tepidarium is the pleasant feeling of constant radiant heat, which directly affects the human body from the walls and floor.
Mr. Alma-Tadema's Venus and Mars, Mr. C.N. Kennedy's Fair-haired Slave who made himself a King, and Mr. J.R. Weguelin's Bacchus and the Choir of Nymphs are figure subjects of more realistic intention than the preceding [referring to Mr. Watts' ''Angel of Death'']. Mr. Tadema's colour is the most mellow, and Mr. Weguelin's the hardest and coldest.
Lawrence Alma-Tadema, Tibullus at Delia's. Albius Tibullus (c. 55 BC – c. 19 BC) was a Latin poet and writer of elegies.His first and second books of poetry are extant; many other texts attributed to him are of questionable origins.
So too is the girl in Lawrence Alma-Tadema's watercolour of Pandora (see above), as the comments of some of its interpreters indicate. Sideways against a seascape, red-haired and naked, she gazes down at the urn lifted towards her "with a look of animal curiosity", according to one contemporary reviewer, [ 45 ] or else "lost in contemplation of ...