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The elephants draw the same painting each time and have learned to draw it line-for-line. [9] In Thailand, several elephant centers exhibit painting elephants. A zoologist who visited one such elephant show concluded that the elephants were being instructed by their trainers on the directions of their brushstrokes through tugs on their ear. [10]
Animals create structures primarily for three reasons: [6] to create protected habitats, i.e. homes. to catch prey and for foraging, i.e. traps. for communication between members of the species (intra-specific communication), i.e. display. Animals primarily build habitat for protection from extreme temperatures and from predation.
Most think Toba Sōjō created Chōjū-jinbutsu-giga, who created a painting a lot like Chōjū-jinbutsu-giga; [8] however, it is hard to verify this claim. [10] [11] [12] The drawings of Chōjū-jinbutsu-giga are making fun of Japanese priests in the creator's time period, characterising them as toads, rabbits and monkeys.
The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
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The Greeks later syncretized their own goddess Artemis with the Egyptian goddess Bastet, adopting Bastet's associations with cats and ascribing them to Artemis. [10]: 77–79 In Ovid's Metamorphoses, when the gods flee to Egypt and take animal forms, the goddess Diana (the Roman equivalent of Artemis) turns into a cat.
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