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Gauguin, c. 1895, playing a harmonium at Alphonse Mucha's studio at rue de la Grande-Chaumière, Paris (Mucha photo) Paul Gauguin, 1894, Oviri (Sauvage), partially glazed stoneware, 75 x 19 x 27 cm, Musée d'Orsay, Paris. "The theme of Oviri is death, savagery, wildness. Oviri stands over a dead she-wolf, while crushing the life out of her cub."
The death of PÅmare V not long after Gauguin's arrival, as well as Gauguin's witnessing of a public execution by guillotine several years earlier, are both thought to have informed the work; [1] Gauguin would later write in Noa Noa , a collage book which includes a photograph of Arii Matamoe (Noa Noa was compiled after Gauguin's stay in Tahiti ...
Merahi metua no Tehamana (English Tehamana Has Many Parents or The Ancestors of Tehamana) is an 1893 painting by the French artist Paul Gauguin, currently in the collection of the Art Institute of Chicago. [1] The painting is a portrait of Paul Gauguin's wife Teha'amana during his first visit to Tahiti in 1891–1893. This marriage has always ...
The Siesta (Paul Gauguin) Spirit of the Dead Watching; Still Life with a Sketch after Delacroix; Still Life with Exotic Birds; Still Life with Head-Shaped Vase and Japanese Woodcut; Still Life with Profile of Laval; Study of a Nude
Spirit of the Dead Watching (Manao tupapau) is an 1892 oil on burlap canvas painting by Paul Gauguin, depicting a nude Tahitian girl lying on her stomach. An old woman is seated behind her. Gauguin said the title may refer to either the girl imagining the ghost, or the ghost imagining her. [1] [a]
Petukhov, senior researcher at the Pushkin Museum, believes that this image was borrowed by Gauguin from the Parthenon frieze, photographs of which Gauguin took with him to Tahiti, [3] whereas Bengt Danielsson believes the model was Gaston Pia, a Tahitian school janitor from the village of Paea, 21 kilometres from Papeete. [4]
Post-mortem photograph of Emperor Frederick III of Germany, 1888. Post-mortem photograph of Brazil's deposed emperor Pedro II, taken by Nadar, 1891.. The invention of the daguerreotype in 1839 made portraiture commonplace, as many of those who were unable to afford the commission of a painted portrait could afford to sit for a photography session.
Self-Portrait in a Hat is an 1893 oil on canvas self portrait by Paul Gauguin, produced following a trip to Tahiti. He shows himself in his Paris studio with Spirit of the Dead Watching in the background. It is now in the Musée d’Orsay in Paris. [1]