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The Radio Series Scripts Collections contains scripts from 1930-1990, while the Radio Sound Records Collection contains recordings from 1932-1994. [ 1 ] [ 5 ] The collections include scripts, books, personal papers, sound records, photographs, correspondence, and other material reflecting the history of radio- and TV broadcasting. [ 6 ]
This event's recording circulated long before "Maggie's Farm", the first song played at the concert, along with "Chimes of Freedom" were released on volume seven of the Bootleg Series in 2005. Film of Dylan's conversion to electric music, as well as performances from 1963 and 1964, were released on The Other Side of the Mirror .
A series of enhanced audiobooks from Big Finish Productions with members of the TV series reprising their roles. [4] Volumes 1, 4, 7 and 10 are set during Season A. Volumes 2, 5, 8 and 11 are set during Season B. Volumes 3, 6, 9 and 12 are set during Season C. The special episode "Remnants" is available only on the Big Finish website.
"A Hard Rain's a-Gonna Fall" – Live recording released on The Bootleg Series Vol. 7: No Direction Home: The Soundtrack "With God on Our Side" – Live recording released on Live at Carnegie Hall 1963 "When the Ship Comes In" – Live recording released on The Bootleg Series Vol. 7: No Direction Home: The Soundtrack
The Bootleg Series Vol. 7: That's What Happened 1982–1985 is a three-CD box set, compiling studio recordings and a live set by Miles Davis recorded between 1982 and 1985. The anthology was released by Columbia in 2022.
Like traditional archives but modified for visual and auditory media, audiovisual archives follow similar principles. [2] These principles include: Provenance: Maintaining the original context and creator's intent for audiovisual materials. [9] Original Order: Preserving the order and arrangement of audio and visual records as they were created ...
Victor Talking Machine Company releases, including RCA-Victor recordings, were made in the United States and Central and South America prior to 1939. This includes audio recordings that were leased from the Gramophone Company's recordings catalog. (Sources: Sony Music Entertainment Archive and the University of California, Santa Barbara). [6]
The history of the Sound Archive can be traced back to 1905, when it was first suggested that the British Museum should have a collection of audio recordings of poets and statesmen. The Gramophone Company started donating metal masters of audio recordings in 1906 (on the basis that records would wear out), with a number of donations being made ...