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"Many Shades of Black" is a song by the band The Raconteurs. It appears as the eighth track on their second album, Consolers of the Lonely. It is second single from the album and was made available in 7" vinyl format. The cover art depicts Mary Todd Lincoln or Abraham Lincoln depending on the way the inner sleeve is turned.
The album was nominated for Best Rock Album and won Best Engineered Album, Non-Classical at the 51st Grammy Awards. The album ranked No. 44 on Rolling Stone's year-end critic's list and No. 35 on Spin Magazine's year-end Top 40 albums. [29] [30] The album was ranked the No. 4 Album of the Decade [31] by Glide Magazine. [32]
The band also toured the U.S. during summer 2008. In 2009, Consolers of the Lonely was nominated for the Grammy Award for Best Rock Album but lost to Coldplay's album Viva La Vida, or Death and All His Friends. The band, however, did win the Grammy Award for Best Engineered Album, Non-Classical. [11]
During this period he wrote two books. Ten Miles From Anywhere (Hedgerow Publishing 1995), looked at the changes in a Suffolk village from the beginning of the 20th century. Many Shades of Black , (New Millennium 1999), was Bean's political memoires up to that date.
Fifty Shades of Grey (Original Motion Picture Soundtrack) is the soundtrack to the film of the same name adapted from E. L. James's eponymous novel that was released through Republic Records on February 10, 2015. It was the seventh best-selling album of 2015 with 2.2 million copies sold worldwide.
The soundtrack album was released through Republic Records on February 10, 2017. The lead single, "I Don't Wanna Live Forever", was performed by Taylor Swift and Zayn Malik and was released on December 9, 2016. [1] [2] The single was commercially successful, reaching number five on United Kingdom and number two on the Billboard Hot 100.
"It Hurts So Good" is a song written by Phillip Mitchell, and first recorded in 1971 by Katie Love and the Four Shades of Black on the Muscle Shoals Sound label. [1] [2] That version was not a hit, and the song was later recorded more successfully by Millie Jackson, whose 1973 recording was featured in the blaxploitation action film Cleopatra ...
[2] From 1971 to 1973 Mitchell performed with John Mayall, appearing on Jazz Blues Fusion and subsequent albums. [2] From the mid-1970s, he recorded and worked as a session man in the genres noted previously, performed with the big band leaders Louie Bellson, Bill Holman, and Bill Berry, and was the principal soloist for Tony Bennett and Lena ...