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Rococo painting also illustrates, in its first version, the social schism that would lead to the French Revolution, and represents the last symbolic bastion of resistance of an elite distant from the problems and interests of the common people, and that was increasingly threatened by the rise of the middle class, which was educated and began to ...
Archip Kuindshi, Moonlit Night on the Dnieper 1882 James Abbott McNeill Whistler, Nocturne in Black and Gold – The Falling Rocket, 1874 [1] [2] The depiction of night in paintings is common in Western art. Paintings that feature a night scene as the theme may be religious or history paintings, genre scenes, portraits, landscapes, or
Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
Italian Rococo was mainly inspired by the rocaille or French Rococo, since France was the founding nation of that particular style. The styles of the Italian Rococo were very similar to those of France. The style in Italy was usually lighter and more feminine than Italian Baroque art, and became the more popular art form of the settecento.
Jean-Honoré Fragonard (French: [ʒɑ̃ ɔnɔʁe fʁaɡɔnaʁ]; 5 April 1732 [1] [2] – 22 August 1806) was a French painter and printmaker whose late Rococo manner was distinguished by remarkable facility, exuberance, and hedonism.
Pages in category "Rococo paintings" The following 18 pages are in this category, out of 18 total. This list may not reflect recent changes. A. Annunciation (Pittoni) B.
For the increasing bourgeois audience, the rococo-revival paintings presented an optimistic outlook on life and were appropriate to the new Parisian ‘nobility’ of the late Second Empire. Ingra notes that, "The vogue for rococo imagery [during the Second Empire] however, represented more than a shift in patronage and, consequently, taste.
Goya's early career as a painter in the court of Charles III is marked by portraits of the Spanish aristocracy and tapestry cartoons in a Rococo style. Continuing to produce official portraits and paintings for the courts of Charles IV and Ferdinand VII , Goya's middle period is also notable for print series that satirize the human condition ...
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