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Six National Airs with Variations for flute (or violin) and piano in G major, Op. 105 (1818-19) Ten National Airs with Variations for flute (or violin) and piano in A minor, Op. 107 (1818-19) Frédéric Chopin (attributed): Variations in E major on "Non più mesta" from Rossini's La Cenerentola for flute and piano, B.9, KK. Anh. Ia/5 (1829 or ...
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8 contrasting with jagged piano figures. It concludes with a cadenza that provides a transition to the lyrical second section. The last section features rapid exchanges between the flute and the piano before another short but difficult cadenza recalls the themes heard before. A frenzied accelerando played by both instruments concludes the piece ...
(00:09:00) Flute and piano duet. Commissioned by and premiered by Christine Potter [100] in Salt Lake City, 2006. NFA Newly Published Music Award, 2006. Movements: What goes around; Tango; Mountain & Mesa (2008) [101] fl pf LCCN [102] WorldCat [103] (00:12:00) Flute and piano duo. Premiered by Mimi Stillman and Jeremy Gill, [104] NFA Convention ...
The Suite Paysanne Hongroise is an arrangement of music by Béla Bartók, by Paul Arma. The suite consists of folk song arrangements originally written for piano, and was transcribed for flute and piano by Paul Arma; later he also arranged it for flute and orchestra. It is based on folk songs that Bartók collected in Eastern Europe.
Suite for Flute and Jazz Piano (aka Suite for Flute and Jazz Piano Trio) is a "crossover" composition by the jazz pianist and composer Claude Bolling. [1] The composition, originally written in 1973, is a suite of seven movements, written for a classical flute, and a jazz piano trio (piano, string bass, and drums).
The Ten National Airs with Variations for Flute and Piano, Op. 107, were composed by Ludwig van Beethoven in 1818 and 1819. [1] Beethoven wrote this piece based on folk-derived melodies. [ 1 ] This is one of several sets of pieces that Beethoven wrote that are folk-derived.
It was originally written for flute and piano, but Chaminade later arranged it for flute and orchestra. The piece remains a standard and popular part of the flute repertoire. [1] For example, it was voted #85 in a 2012 survey of the best French classical music by the Australian radio station ABC Classic FM. It also remains one of Chaminade's ...
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