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The Lord whom ye seek shall suddenly come to His temple: Acc. B: Haggai 2:6–7 Malachi 3:1: Haggai, splendor of the temple Malachi, the coming messenger: 6: But who may abide the day of His coming for he is like a refiner's fire: Air A: Malachi 3:2: 7: And He shall purify the sons of Levi: chorus: Malachi 3:3: Scene 3: 8: Behold, a virgin ...
Then shall the eyes of the blind be opened (secco recitative for soprano or alto) He shall feed his flock like a shepherd (alto or soprano) His yoke is easy (duet chorus) Part II. Scene 1: Christ's Passion Behold the Lamb of God (chorus) He was despised and rejected of men (alto) Surely he hath borne our griefs and carried our sorrows (chorus)
[5] [6] The imagery of shepherd and lamb features prominently in many movements, for example: in the aria "He shall feed His flock like a shepherd" (the only extended piece to talk about the Messiah on earth), in the opening of Part II ("Behold the Lamb of God"), in the chorus "All we like sheep", and in the closing chorus of the work ("Worthy ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
The men's voices and the continuo begin in unison, the simple theme rises to a note which is repeated nine times and falls back, reminiscent of the repeated notes in "For the mouth of the Lord hath spoken it" and "King of Kings". Several countersubjects add life and texture, gradually more instruments take part in the development on "for ever ...
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...
The oratorio depicts events in the life of the prophet Elijah. Mendelssohn uses biblical episodes relating to Elijah, which in the original, 1 Kings 17:19 and 2 Kings 2:1, are narrated in rather laconic form, to produce intensely dramatic scenes, while adding several related biblical texts, mostly taken from the Old Testament.
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